Sunday, August 30, 2009

Green Goals

In its quest to host the 2004 Olympic games, Hammarby Sjostad, a neighborhood in Stockholm, Sweden converted the community into a green paradise. Though it was unsuccessful in securing the coveted games, the neighborhood gained great notoriety in its forward thinking use of trash. Everything gets sorted and sucked into pneumatic tubes-- food for compost, paper for recycling, and garbage for incineration, which is then used for energy. Even sewage comes back, serving as both fertilizer and biogas.
Clearly most cities are having trouble right now making payroll, never mind retrofitting the entire landscape with pneumatic tubes; however it did make me wonder about a place like Disney World. As I walked around the park, I saw many missed opportunities for Disney to set a more eco-friendly example. Plastic bags were used for even the most insignificant purchase, few recycling stations existed, no signs of photovoltaic panels, while energy was consumed in vast quantities. I shudder to think of the park's carbon footprint. One idea that I think could be truly inventive would be to put in piezoelectric flooring, panels which generate kinetic energy with foot traffic. Imagine if every person of the 44,000 who passed through the Magic Kingdom's turnstiles actually generated a percentage of energy. That might just put some meaning into the name: Tomorrowland.

Saturday, August 29, 2009

And She Returns


A huge thank you to Jesse Neuman for his BDG posts while I was in a far away land of magic and oversized rodents-- aka Disney World. The trip was supreme family time interspersed with some philosophical reflection. If an environment is completely simulated, is it real? If you lose a camera, will it be returned? And if a tree falls in a forest, can Disney charge $17.95 for it? Disney did create its own reality-- spaces which seem plausible-- reality on Red Bull-- which transport you from the wild savannah of Africa to the wild frontier of the West. We wandered from China to Mexico, to Norway, to Italy in Epcot, rode every roller coaster, and soared in virtual space. What Disney does, it does well, and we all had a good time.

Friday, August 28, 2009

GUEST BLOG: Bullying [by way of the trio]


I present workshops to groups of students which introduce kids to the instruments and roles in an improvising jazz group.  I also try to incorporate larger 'curriculum based' themes, and use the ensemble as an extended metaphor.  Since nobody thinks in complete sentences, or even bullet points, here is a play by play look at an upcoming workshop for K-2nd graders on bullying.

I.

 we would love to present at your school / we would love to have you I’ve looked through your website / yes / the older students are learning about bullying, how to avoid it and deal with different / we could do something that relates / relational aggression / sure here are some / can you get back to me with the details / sure you can ask your students how they would / great this will prepare them / perfect / great / see you / then

II.

please welcome / thanks we are glad / going to introduce you to / but also / really important for friends / in a class / in a school / bullying / different types / hurtful / ideas / [many suggestions or very shy or both, moderate] / in a band a group very similar / [they all think about this, connections made, groundwork laid] / so let’s get to work / can anyone tell me / you blow into it / but how can I / with your lips / [try it, doesn’t work, laughs] / no like this / this way / [it works] / oh now how does it sound / great / great I can even play in different / [they listen and appreciate the variety] / let’s talk about my band / my friends / you have groups of well it’s the same / [they nod, some share, raise hands] / listen to how / [other two play, leaving no space for me, laughs, it’s funny but proves the point] / now could I / no / when I tried to / nooooo / that is being excluded / have you ever / yes yes / the opposite is  / [hands, ideas, one or two wrong and then they get it] / how could they / ideas  / [ideas, I guide them to the most sensible] / now we’ll try / much better, no / yes  / [applause, done with that part]

III.

 this is what / [hands, they pretty much got it] / what does he / yes, that’s the job / yes / well let’s see if he can join / [comes to play, many stops, loud words and exaggerated unfriendliness] / laughs at exaggerated unfriendliness] / did we include / yes / yes but how / [unfriendliness, to much yelling, they understand that] / being bossy / no good / nooooo / how can we / we can help / ask / let him have ideas / let’s help him with some / [four come up and each take a part, explain part, perform together, gradually give back to professional who can incorporate] / does this work / yes / yes, and now we can / great / great / [applause, now he fits]

IV.

 now it gets harder because / more subtle / who’s ever laughed at / lots of hands / ideas / [they share, careful to keep them on topic, after appropriate number of] / we can include and let him make his own / sometimes still easy to hurt peoples / watch example / see if you can figure out what and why / [he plays, with us, can’t fit in, tries some things, we make it a point to laugh off his] / was that very / noooooooo / friendly / nooooo / how can we help to / ideas / this is more complicated because we will try / understand / discuss / people to help / three experts / [giggles, this is very exciting for those who get to, give three examples of types, they act them out] / now which seems to fit the best / opinions of experts / he chooses / we try / it works / he’s been able to be part / with help / with his own ideas / understanding feels good no / yes / who deserves to / [all of us] / ok

 V.

 now we have to talk about / the most important thing / how to respect / ideas / [just a few, this is the big point so stay on topic so you can] / I need a few groups to / now we’re set with friends / friends need to careful / about how they treat others / especially when they’re not / what do we call / [ideas] / rumors / no / yes / ooooh / and it’s easy even for friendly people to / let’s see / let’s talk about his / oh that was really / why do you think / I bet he / no, I bet he / [exaggerated, keep it funny but also a little rough, stop when it gets too] / how do you think he would feel if / how are we all feeling about / next person / [they’ve got the idea, faster now] / feeling good / no / making it easier or harder for us to / harder / yes / last one / [really bad, quicker] / now let’s remember what we learned earlier / did we help to include / remember that he just needed / talking in rumors didn’t help / no / what about / him / [same] / and / [also, now they are getting the connection, bringing it home] / these ways hurt / not respectful / respect means including / respect means helpingrespect means understanding / treating people the right way / not friends with everyone / but with respect / helps us get along / like a band / [now we play, all together, the harmony is outstanding] / next time / think about how you can include / and help if someone / try to understand / and this band / so you know / thank you.

 

-JESSE NEUMAN

Tuesday, August 25, 2009

GUEST BLOG: 7th Generation


“You cannot really believe in anything until you are aware of the process by which you arrived at your position.”                              -Sufi teaching

 Across the street from my parents’ house in the burbs, a neighbor—a peer of mine who settled in our hometown—just became a daddy.  His son, Frederick R. is only a week old, but has quite a bit to live up to; he is in fact the seventh generation of sons named Frederick R. to join the ranks of his family.

 It may seem quaint, old fashioned, or even outright garish to continue such a legacy of prenoms in today’s day and age of baby Skyes and Madisons, Hunters and Chelseas.  Why saddle an infant with 250 years of family history before he’s even mastered his first baby Einstein disc?  Quite the harbinger of individualism when your family tree keeps tripping on the root named Fred.

 Interestingly, my typically forward-thinking father, often snarky in these matters of tradition, was of a different opinion altogether: jealousy. “How amazing to be able to trace your history back seven generations,” he told me.  “Ours unravels after only 3.”

 For us turn of the century Jewish immigrants (and I’m sure I speak for countless other cultures as well), our family history is one of disruption and relocation.  My sister and I live in relative hipster comfort in Brooklyn and Manhattan respectively, having moved out of the parents’ quarter acre ranch of our childhood in upper-middle class Long Island.  Before we were born, my mother grew up with her sister and single mother in a small apartment off Rockaway Parkway in Flatbush, with my father a bus ride across town in the Jewish/Italian neighborhood of Bensonhurst, Brooklyn.  Dad’s family began there because his father, or Ukrainian descent, shipped himself across the ocean, fleeing the increasingly anti-Semitic grip of the Russian Tsar in 1912.

 My grandfather’s parents saw the writing on the wall.  Joseph, a carpenter, and Ida (whose parents owned a mill) lived forty miles south of Kiev.  Their four children had little in the way of upward mobility in front of them, as college or even high school were off limits to Jews.  My great uncle once recalled a walk home with a Rabbi and a group of Hebrew students, by lamplight, being tense and terrifying as the thuggish Cossacks were known to menace Jews with words or swords without reason or warning.  Joseph sailed to Manhattan Island, and after two years of working and saving, finally sent steerage class tickets for the family to join him.  Goodman, my grandfather, was 3.  Never assigned a birth certificate, and he arbitrarily picked September 1st as his birthday.

 From there the story takes on its familiar PBS documentary storyline.  Sepia photographs, struggle, cold, and coal, blissfully ignorant cigarette smoking, stickball, pickles, and progress.  Undoubtedly Joseph gained a life for his family—literally and figuratively—which could not have unfolded had he remained in his homeland to bear Joseph the IInd  or IIIrd  (let alone the VIIth ).  

The hidden sacrifice in his story is a common theme for almost all displaced immigrants and terrorized religious groups.  Generations of history, amputated to save a family at the world’s mercy, are phantom limbs we are learning to live without.  And how sad that in a world flooded with Facebook and Twitter updates, so much important real information has drifted from our reach.  We tend to put off digesting our own histories with the mindset that they will always be there, while history has shown us time and time again how unstable the memory of our legacies really are.  We are all too quick to snap up the 2nd or 3rd generation iPhone, while our own generations fade.

 Dad recently forwarded an email to our extended family with a three-page word document attached.  He had written down the most detailed version of our family’s story he could hunt/gather, and passed along the challenge for others to add their own branch’s details.  I’ve promised myself that I will document my own generation’s details when the time comes but who knows if it will root and flower or wither on someone’s blog and dry out as well (“…but that, honey, was when there were no CerebrochipsÒ to store information, and everything just sat there in the world wide web…”).

Rohinton Mistry, a Canadian author of Indian descent and astounding talent, writes, “Everyone underestimates their own life…In fact, no matter where you go in the world, there is only one important story:  of youth, and loss, and yearning for redemption.  So we tell the same story, over and over.  Just the details are different.”

Take a moment to reflect on the richness of your own arrival.  Even if you have no Frederick R. the VIIth on your horizon, at least you can fill out the profile of his avatar.

                                                           -JESSE NEUMAN

Monday, August 24, 2009

GUEST BLOG: The Poetics of Windows


Bad times for curtain manufacturers.  A quick look up at any of Manhattan’s latest glossy glass monoliths confirms what ex-drapers have been bawling over for years.  Big glass and big windows are big business for big voyeurism these days.  You can blame reality TV or develop your own Windex conspiracy theories, but fishbowl luxury is the new calling card for urban living.  Are we giving up something more than our privacy by expanding the window to become the wall?  Are we losing the balance between security and escape?  By lavishing a room with floor to ceiling windows, are we relinquishing the pleasure of a poignantly placed pane or portal?  If walls are the foundational building blocks, cordoning off the spaces we live in, are windows really an exception we’d like to turn into a rule?

 

I’ve been buried in a book my musician friend Noah Jarrett lent me, entitled Migration by W.S. Merwin.  This Pulitzer Prize winning American Poet writes beautifully musky, romantic, and borderline mystical narratives of private thoughts and shockingly commonplace discoveries.  His poems are more curiously gnarled roots than whimsical flowers.  In the sections I’ve passed through so far, he several times wades through the personification of shelter, light, windows, and sky---sometimes as objects, other times as characters responsible for their own actions.

 

V.   A Window is Taken

(from The Removal)

 

I call leave me here

the smoke on the black path

was my children

I will not walk

from the house I warmed

but they carry me through the light

my blackening face

my red eyes

everywhere I leave

one white footprint

the trackers will follow us into the cold

the water is high

the boats have been stolen away

there are no shoes

and they pretend that I am a bride

on the way to a new house

 

As part of his suite The Removal, Merwin creates a window character whose protestations to being held hostage are both proud and tragic.  “I will not walk from the house I warmed,” evokes a tenderness we wouldn’t normally associate with a pane of glass.  The old adage ‘if these walls could talk’ usually implies the house as a passive observer, but when our window narrator recalls that “the smoke on the black path was my children,” we can feel quite the subjective sense of responsibility and longing.  The final line is what really gets me though, when she bitterly adds “and they pretend that I am a bride on the way to a new house.”  Perhaps there is a warning here against callous recycling: regardless of the ecological benefits, some things only belong the first time around.

Under Black Leaves 

In one window

old moon swollen with our shadow

bringing it

to birth one more time

in another window

one of the stars that does not know it is the south

the bird’s way…

In Under Black Leaves, Merwin sets a gorgeous nocturnal scene, this time from within the house.  “In one window,” an unspecified narrator observes, the “old moon swollen with our shadow” appears.  But across the room “in another window one of the stars that does not know it is the south” lies in wait.  Whereas the prospective glass-tower investor can browse any e-tour from any conceivable angle in any conceivable Starbucks hotspot, the reader here is taken—by way of very minimal language—on a journey through this room from one end to the other.  Never mind he fails to mention that between these two window panes are the woven rugs or dusty floorboards, creaking rocking chairs or chilled-chrome kitchen chairs, the beaten down sofa or double fluffed king-size mattress.  Important is that we are all IN this room, and that while traveling the distance between this imagery of opposite window views (north and south, alpha and omega), we have all recalled and/or created an experience along the way.  Without drafting one scribble on a blueprint, Merwin has reminded us why we build window in the first place: to enjoy what is just beyond them.

While I’m not sure how floor-to-ceiling his own sitting room’s vistas are, his charming and melancholy meditations of literary windows and sky are astoundingly clear.

 

-JESSE NEUMAN

Sunday, August 23, 2009

THE WEEKLY TAKEOVER


Nadine Bouler has officially dropped of the face of the www.tweeterly.worldwidewhat/youface.tubespace_earth and left me in charge of this week's blog posts. Hilarity ensues, markets recover, MJ revived...who knows? You can chew on some profile candy here while the first post churns in my brain. Good luck. SA!!!!!

Saturday, August 22, 2009

CB2 Lighting


I can't help but love this pendant lamp from CB2. I love Crate and Barrel in general; their products being well-designed and within my price range. I bought my everyday modern flatware from there and I am as happy today with it as I was when I got it seven years ago. I especially love its weight in my hand. Lately, however, I've been drawn to their CB2 line. Perhaps it is the groovy colors or the sleek design, but either way, I'm always marking pages in my catalogue of items I like. If only I had a place to put everything, especially this Scandinavian-inspired piece. Right now I have another of their pendant lamps over the table at Potic, a perfect size and texture for the room, and better yet, it has a cord so no need for the electrician. But I can still admire from afar...

Friday, August 21, 2009

Per Square Foot



The house above definitely caught my eye because it somewhat reminded me of what the Potic addition will look like once it's completed. This Sag Harbor residence, featured in yesterday's New York Times boasted its money saving use of materials, especially the use of Skatelite for siding and countertops. You may remember I investigated Skatelite -- a pressed paper-and- resin material for skateboarding--for Potic, because I love the flatness of the color and the surface, but at $15 a square foot, it was easy to just say no. What other 'cost saving' advice did this project offer? The homeowner extended his mahogany decking indoors, saving $600. Now I know times are lean and I'm not going to sniff at $600, but in the overall cost of home construction, it hardly seemed like a figure to showcase, especially when the article ended with "The house was completed earlier this year for$300 a square foot, about half the cost of most high- end homes in the area." OK, there you have it. Our Potic budget is--uh-- $90 a square foot and a bottle of tequila thrown in for good measure. With their kind of budget, I would preferred to see more sustainable energy systems, not simply finish work. As for Potic and finishing, I have thought of some great (read: inexpensive) ways to finish the walls of the bathroom. Needless to say I won't be looking at Skatelite.

Thursday, August 20, 2009

Oak Beach Photo Shoot



As the sun broke through the early morning mist, I met with Stacie Errera and Ken Hubbard from Tamron Camera Lenses for a photo shoot. Stacie and I have been keeping up with each other's blogs; hers, Chasing Picture Perfection, gives easy-to-follow and practical tips on how to take better pictures so I asked if she would be interested in offering tips on how to shoot architectural structures. Fortuitously, Tamron is coming out with several new wide angle lenses, so she suggested that she and Ken come out to the house to test them. After some sunny morning shots, we all agreed that some sunset images might offer a different perspective and scheduled another shoot for the evening hours. I am anxious to see the results for both and might present them side by side for your perusal and feedback.
A big thank you to Stacie and Ken, as well as to Ron La Barbara of La Barbara Contracting for getting everything ready for us. An even bigger thank you goes to the client for allowing us to show up at her doorstep at 7 am.

Wednesday, August 19, 2009

Verace Progress Continues






Amongst the wires and beams, I hope you are beginning to see the bones of a restaurant. With the open kitchen area firmly in place, I can almost imagine the hustle of a working restaurant. As part of the dining experience, Verace's kitchen will be part of the space, with a corridor passing through the 'hot' kitchen on one side and a 'cold' kitchen on the other, and where dining guests can meet the chef as he orchestrates their meal.
It reminds me of one of my favorite books, Heat, Bill Buford's account of working in Babbo's kitchen. The book takes you through each work station, from the prep kitchen, to the grill, to plating pasta. It is a fascinating look into inner workings of the restaurant world.

Tuesday, August 18, 2009

Viv Goes Shopping



If you have five minutes and need a good laugh, or a geography lesson about south shore Suffolk on Long Island, please do watch artist Louise Millmann's hilarious YouTube video.

Monday, August 17, 2009

Drum Roll, Please






Now I know some readers were losing sleep over the Preway-- but thanks to James, Joe from Jovial Stoves, Scott Yoder, and Nicholas Pfluger, she stands ready for cool autumn nights. The installation was a bit of a trick-- the 8" pipe is a bit pricey so we reduced it to 6" of stainless, but wanted enough length so the fireplace would draw well. Joe, who sold us our pellet stoves for the house in Islip, set us up with a reducer and the proper pipes, all before 9 am. Then James hauled the baby up, and while he and Nick wired the entire upstairs, (and I pulled a few wires myself) Scott set out to fit the fireplace into the corner of the deck. I wasn't sure if I wanted it centered on the back wall, but when I saw how much circulation space it would take up once it was properly situated between the rafters, I thought the corner worked better. It seemed somewhat insane to install a fireplace in 90+ degree weather, but by day's end, we had both a fireplace and working lights upstairs.

Friday, August 14, 2009

The Blue Bathroom: Before and After








In 1967 when the house was built, this bathroom was certainly up-to-date. However time can be unkind, especially to bathrooms, and so my parents have slowly replaced each one in their home. Their recent renovation is to the "blue" bathroom, which had the blue meanies in a bad way.
Having already renovated the other two bathrooms, my mother, JoAnn knew exactly what she wanted this time around. What was originally a small and dark space, adding a skylight and vaulted ceiling gave the room a more airy feel. Fixtures were improved, going from the inexpensive and inefficient originals to a dual flush toilet and water-saving shower head. Looking for a modern look, JoAnn liked the clean lines of the granite topped vanity with the goose-neck faucet, but wanted to keep color in the space through the tiles and paint color. My father, Arnold, on the other hand, simply wanted to be done. Contractor Jim Benson and his crew were so patient, so meticulous, that both of their needs were met. Arnold even rolled meatballs for a celebratory Italian luncheon for the guys.

Thursday, August 13, 2009

Brooklyn Qawwali Party at Lincoln Center




How fantastic that Lincoln Center hosts outdoor concerts, and even more fantastic that it showcases new talent. Last night the rain clouds held out as the crowd of 2,500 listened to Brooklyn Qawwali Party rock the Damrosch Park Bandshell last night. A fusion of Pakistani Qawwali music and jazz instruments, the band embodies globalization at its best. Paying tribute to one of the world's great vocalists, the legendary Nusrat Fateh Ali Khan, BQP reworked his songs to create an eclectic, groundbreaking jazz. Check out their YouTube of an earlier performance.

Tuesday, August 11, 2009

Vessel Sinks: Any Thoughts?


After pondering how to get the Formica off my mother's discarded bathroom sink, James and I decided to investigate other options. We have a juicy slab of walnut that would remind you of a good steak, that we think would make a great counter. A clear option is a vessel resting on top of the wood. The client in Oak Beach is installing one onto a dresser and modernemama had one in her powder room, so we may be on to something. I'm thinking white porcelain to match the clawfoot tub and as contrast to the rich brown of the wood, maybe with a flat bottom and a wall mounted faucet. Any thoughts on this? Those of you who have them in your homes, any insights you can offer are most welcome.

Monday, August 10, 2009

Luncheon in the Grass






Yesterday I had the pleasure of joining several talented blogging women for a lovely luncheon hosted by the fabulous Jane of modernemama. I had been following Jane's blog, and vice versa, and when we discovered this spring we were practically neighbors, we met up last May at the Bouler Design Group project on Oak Beach.
As one might expect with a table full of women who blog, there were few quiet moments at the table. From sacred topics like children and family secrets, to practical ones like advertising and Google Adsense, we enjoyed meeting each other beyond the computer screen. I felt as if I had landed among long lost friends: Patricia of pve, Susan of The Kitchen Designer, Heidi of faboolosity, Jean of Renovation Therapy, and of course our hostess Jane of modernemama.
Another bonus of the luncheon was the house tour. Designed by architect Andrew Geller in 1968, the place has a unique floor plan that is both functional and off-beat. With rooms cranked on angles and windows that are more like prisms, the house suits Jane's mid-century tastes perfectly. WIth its redwood detailing, the effect is warm and comfortable while maintaining an airy cool.
It was a day that I hope will be repeated soon, perhaps next time up at Potic cottage around the orange fireplace.

Sunday, August 9, 2009

Thank You Mr Craigslist, Once Again!



I honestly want to rename Potic Cottage, Craigslist Cottage. First of all, we found the house on Craigslist by chance, and then we filled it with weekend-y stuff: kayaks, furniture, a row boat, etc., all from Craigslist. And now Craigslist comes to the rescue once again.
It began perhaps in my childhood-- the seventies. The iconic ski lodge. The sexy scandinavian design. Flash forward to last year. Meandering through Craigslist I saw this intriguing headline: Jetson's Fireplace, Beacon, $300. The image: a vintage white enamel Malm. Posted a month earlier, I was crestfallen to discover that it had been long sold. The search was on. I enlisted James, whose searching tenacity is something truly to admire. After a few wrong leads,we even toyed with the idea of a new one which would waste precious construction dollars. Then James saw part of one in Virginia. Would they ship it? The trail grew hot. Why won't they call us back? The trail grew cold. 6:00 am this morning, a shout arose from James' office as he pulled up the ad. "Nadine, you have to see this." I couldn't breathe. I didn't want to hope. But there it was, an orange Preway, $125, thirty minutes away. No. It can't be. James said, "They're lucky they didn't leave a number because I'd call them right now." He sent off an email with his number and waited. And waited. 7:35 am. We ponder sending another email, but wait until 10:00. Like expectant parents we feared the worst. It was already sold to equally obsessive fans of Scandinavian design who had a pickup truck and cash on the ready on Saturday nights. It wasn't until 11:01 that I received the email: Will call you soon. Fireplace still available. And she did. And then we became one with our orange Preway fireplace.
But wait, let's remember James found a mid-century dresser in a blonde wood for $50. Where, you ask? Where else? Craigslist.

Sunday Morning





Olivia shared her recent pictures of an expedition she took upstate. Enjoy your morning--

Saturday, August 8, 2009

Praising Jane




I may be starting the Jane Jacobs fan club soon. I have always admired whistleblowers who step up and defend what is right, though their adversaries may have been rich and powerful. Jane Jacobs' 1961 book The Death and Live of Great American Cities was part of a civil activism not unlike Rachel Carson's Silent Spring or Ralph Nader's Unsafe at Any Speed where Jacobs used her skills as a reporter to preserve Manhattan as we know it. The clash between developer Robert Moses' vision of elevated superhighways through lower Manhattan versus Jacobs' tenacious battle to save Greenwich Village is the subject of a new book Wrestling with Moses: How Jane Jacobs Took on New York's Master Builder and Transformed the American City. It makes me queasy to think that Washington Square Park, Greenwich Village, SoHo, LIttle Italy, and Chinatown could have been razed in order to make way for "progress."
I know cities evolve and what's outdated sometimes needs to make way for buildings suited for modern lifestyles. Otherwise we'd all still be cooking in an open firepit in our hoop skirts. However, it is important to retain some of the character of the landscape, even manmade streetscapes, if they work for people. The scale of mixed use neighborhoods, the placement of parking and town centers, and the ability to walk from shop to cafe to apartment are elements essential to future urban development, and yet one of the most influential builders almost destroyed that exact model to make way for the car. Even today, many communities allow sprawl as the most immediate form of development. But once it starts, the tide is hard to quell. Before you know it, the landscape is cluttered with billboards and parking lots where you'd have to be sort of nuts to risk walking anywhere.
So I offer this maxim for future development: Buildings should give a nod in some way to the location-- either in historical detailing or in addressing the site. Buildings should add to the landscape while being completely functional. Thus, scale is incredibly important -- a building can be completely unique aesthetically but remain contextual in scale, thus giving the streetscape texture without overwhelming it. Ultimately, buildings should tickle the brain, challenge the senses, create their own atmosphere, and surprise the inhabitant. Those seem like developments Jane Jacob would support.